Brexit … and happiness

13 Jan

dominic-cummings-benedict-cumberbatch-brexit

I’ve never wanted to use this blog as a repository for banal ‘oh and here’s another thing that makes me happy’ observations. And I certainly wouldn’t want, God forbid, to suggest that Brexit is an issue that has made me happy. But one thing the current furor has managed to achieve is a 1000-fold increase in my interest in political debate and – mirabile dictu – parliamentary procedure.

And to break my blog-rule just this once, as an ingredient for my personal happiness there’s nothing to beat a good drama. James Graham is one of my favourite playwrights, and his piece Brexit – the Uncivil War, which aired last Monday on Channel 4, was very good. It featured Benedict Cumberbatch (above right) as Dominic Cummings, the campaign director of Vote Leave (above left). 

I have many thoughts about the extent to which it’s permissible to tinker with history in a political play (remembering here that everything that happened up to about five minutes ago is history). I won’t go into that now, but I tend to be quite hard line: if you want to alter the facts, then why don’t you just invent your own bloody story instead of filching one from history? But I’ve just read a review of the Graham play which has made me think again. Perhaps every political play should be allowed one completely made-up meeting between important characters. In Schiller’s Mary Stuart it’s a meeting between Elizabeth I and Mary Queen of Scots that never happened. Peter Morgan’s Frost/Nixon has, not exactly a meeting, but a late-night phone-call in which Richard Nixon admits his guilt to David Frost. And Brexit – the Uncivil War contains an encounter in a pub between Cummings and spin doctor and Remain campaigner Craig Oliver which is, it seems, entirely fictional. 

Just one, mind. That’s my maximum. I’ve already broken two of my rules in this blog, and the rot has to stop somewhere. 

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